The American Theatre Wing’s Tony Awards® Presented By:
Presented By:

Winners / 1962

1962 / Actor (Musical)

Winner Globe

Robert Morse, How to Succeed in Business Without Really Trying

1962 / Actor (Play)

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Paul Scofield, A Man for All Seasons

1962 / Actress (Musical)

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Anna Maria Alberghetti, Carnival

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Diahann Carroll, No Strings

1962 / Actress (Play)

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Margaret Leighton, The Night of the Iguana

1962 / Actor (Featured Role – Musical)

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Charles Nelson Reilly, How to Succeed in Business Without Really Trying

1962 / Actor (Featured Role – Play)

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Walter Matthau, A Shot in the Dark

1962 / Actress (Featured Role – Musical)

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Phyllis Newman, Subways Are for Sleeping

1962 / Actress (Featured Role – Play)

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Elizabeth Ashley, Take Her, She's Mine

1962 / Book (Musical)

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Abe Burrows, Jack Weinstock, and Willie Gilbert, How to Succeed in Business Without Really Trying

1962 / Choreographer

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Joe Layton, No Strings

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Agnes de Mille, Kwamina

1962 / Conductor and Musical Director

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Elliot Lawrence, How to Succeed in Business Without Really Trying

1962 / Costume Designer

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Lucinda Ballard, The Gay Life

1962 / Director (Musical)

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Abe Burrows, How to Succeed in Business Without Really Trying

1962 / Director (Play)

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Noel Willman, A Man for All Seasonss

1962 / Musical

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How to Succeed in Business Without Really Trying. Book by Abe Burrows, Jack Weinstock, and Willie Gilbert, music and lyrics by Frank Loesser. Produced by Cy Feuer and Ernest Martin

1962 / Original Musical Score

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Richard Rodgers, No Strings

1962 / Play

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A Man for All Seasons by Robert Bolt. Produced by Robert Whitehead and Roger L. Stevens

1962 / Producer (Musical)

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Cy Feuer and Ernest Martin, How to Succeed in Business Without Really Trying

1962 / Producer (Play)

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Robert Whitehead and Roger L. Stevens, A Man for All Seasons

1962 / Scenic Designer

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Will Steven Armstrong, Carnival

1962 / Special Tony Award

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Brooks Atkinson, retired drama critic of the New York Times.

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Franco Zeffirelli, for designs and direction of the Old Vic's Romeo and Juliet.

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Richard Rodgers, for all he has done for young people in the theatre and for taking the men of the orchestra out of the pit and putting them on stage in No Strings.